ARTIST

HANK VIRGONA by Andy Goldsborough

When I moved into 41 Union Square West thirteen years ago and started my interior design business I met an artist named Hank Virgona that has inspired me ever since.  At eighty four years young and still painting daily next door to my office, he astounds me with the amount of drawing and creativity that comes from his hands. Focusing now mostly on still life and some portraiture, Hank is a force to be reckoned with whilst constantly taping beautiful sketches at holidays on my door or quietly documenting my daily attire as well as any of the other tenants on the 11th floor of our light-filled building. Known for it’s north facing studios with angled skylights framed in metal, the building has long been a favorite of artists, photographers, architects and designers and I feel lucky to have discovered the building and made it my atelier and to have Hank as my neighbor.

Hank Virgona was born in 1929 to Sicilian parents in Brooklyn on the eve of the Great Depression. Early on in his career, Virgona chose photography instead of painting and remained a professional photographer throughout his service in the army which ended in 1952. In the beginning of his artistic career he chose illustration and had many works in Fortune, Harpers, Argosy as well as the New York Times and received the Gold Medal from the Society of Illustrators among many other accolades.

Hank Virgona working in his light-filled studio at union square west

Hank Virgona working in his light-filled studio at union square west

Multiple works by the artist displayed above his daybed

Multiple works by the artist displayed above his daybed

A closer look at some of the works

A closer look at some of the works

A watercolor of several buildings looking north from Virgona’s skylight

A watercolor of several buildings looking north from Virgona’s skylight

In 1999 Adam Shanker filmed a thirty minute video ‘The Art of Hank Virgona: Bottles Boxes & Notes From the Underground‘ interviewing art critics, artists and celebrities that admired and collected his work. Virgona described growing up in Bushwick, Brooklyn and sitting on the stoop of his childhood home with the sun beating down on him and looking at the 150 coats of paint on the door and how all of those layers coming through really began to inspire the way he sees color and line. Both his figurative studies and satirical work capture character in the simplest gesture of sharp or blurred line bringing the person or object to life.

He does the same with his still life’s giving character to things as mundane as a collection of bottles or a paper bag and elevates them to another level. There is no set formula to his work but it is always filled with personality. Hank cites DegasGoyaPicasso and Giorgio Morandias influences but one quote by Joaquin Torres Garcia he says sums up how he views art and his work best. “Art is not manufactured, it comes from the understanding of a profound harmony, and from living in accordance with it”.

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A more colorful mixed media collage work

A more colorful mixed media collage work

An etching of bottles in my collection that was a gift from Virgona several years ago

An etching of bottles in my collection that was a gift from Virgona several years ago

When I approached Hank about writing a post on his career and work he initially asked “what is a blog”? I explained to him that I would be writing an online journal about his life and work and sharing images he would like to share with me to try and gain a new audience for him. He was intrigued since he does not have access to a computer in his studio and is entirely engaged in painting, etching, engraving and creating more work daily than I or any of my colleagues do on average.

He then asked why is it called “The Gilded Owl”? I showed him a picture of the owl that I owned and that I had collected owls over many years and hence the namesake of my blog. I then gave him a picture of the gilded owl which is a real barn owl that has been gold gilded and a few days later Hank gave me twenty four different owls that he had drawn and painted on a variety of colored paper. Following are some of the fantastic drawings and the envelope that accompanied them.

Special delivery from Hank Virgona with personalized postage for the gilded owl

Special delivery from Hank Virgona with personalized postage for the gilded owl

Four owls by Hank Virgona

Four owls by Hank Virgona

A couple more on blue grey paper

A couple more on blue grey paper

Virgona’s work is in The Metropolitan Museum of Art, The Museum of the City of New York, The New York City Public Library, The Smithsonian and over twenty more important permanent collections and he has had over two dozen one-man gallery shows. The awards Hank has received over the years are too many to mention but highly esteemed and respected. I am honored to know this remarkable artist whose eye for detail has taught me to look at the world a little more thoughtfully.

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Etched name plate on Virgonas’ studio door

Etched name plate on Virgonas’ studio door

Following are links and further video on the work of Hank Virgona.

www.noelfineart.com

video link below by Andrew French

MICHAEL ABRAMS by Andy Goldsborough

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In 2001 as one of my first projects was nearing completion, looking for art for the living room I discovered Michael Abrams work at Sears Peyton Gallery.  My clients and I were drawn to the mysterious and luminous quality of the works that bridged the gap between Hudson River School painting and new contemporary landscape painting.  We were looking for something linear and panoramic and Abrams’ work was the perfect feeling for the room, a large open loft-like space with wrap around windows facing south.  The colors in the room were mostly neutrals with silvery gray moire drapery, vintage Italian glass and some walnut to add warmth to the mostly cool palette. Michael’s painting grounded the room and was the perfect contrast to the much more modern elements.

Michael Abrams studio in Vermont

Michael Abrams studio in Vermont

Thursday Michael’s show “A Gathered Calm” opens at Sears Peyton Gallery and the new paintings continue his studies of color, light, water, clouds and sky evoking nostalgic feelings for the past.  Michael gave me a statement from the current show “these paintings are envisioned to manifest fresh responses to touchstone experiences with nature.  And what makes us nostalgic for the past?  Which past are we conjuring up to tug us backward and at the same time push us forward.  As if coming out of memory’s storm, awaking out of reverie, we forge fresh ways of seeing what is here now.  Before us now, approaching a gathered calm.”  Following are images from his beautiful new show.

All the earth and air, 2013. oil on canvas. 48″ x 72″

All the earth and air, 2013. oil on canvas. 48″ x 72″

Scattered Yellow, 2013. oil on canvas. 68″ x 74″

Scattered Yellow, 2013. oil on canvas. 68″ x 74″

A Humbled World, 2013. oil on canvas. 43″ x 96″

A Humbled World, 2013. oil on canvas. 43″ x 96″

Night Break, 2013. oil on canvas. 68″ x 74″

Night Break, 2013. oil on canvas. 68″ x 74″

Growing up in the Hudson River Valley in Rensselaer County, Abrams’ childhood home overlooked the sprawling green landscapes and illuminated skies that now inspire his work.  And while nature informs his work he is painting in a way that revisits master landscape paintings but propels the technique into the future.  Abrams’ paintings feel otherworldly and evoke memories and familiar sensory experiences but they feel modern and new.  The layers of semi transparent and opaque glazes used to create the works gives them a depth that feels distant but has a glowing undersurface to the canvas.  After maintaining a studio in New York City for many years, after visiting the Green Mountain region of southern Vermont Abrams decided to make it his home permanently.

Deerfield River Light, 2012. oil on canvas. 18″ x 18″

Deerfield River Light, 2012. oil on canvas. 18″ x 18″

The Louring Sky, 2013. oil on canvas. 48″ x 72″

The Louring Sky, 2013. oil on canvas. 48″ x 72″

Sumerset Lake, 2012. oil on panel. 11″ x 14″

Sumerset Lake, 2012. oil on panel. 11″ x 14″

Michael Abrams current show “A Gathered Calm” is on view at Sears Peyton Gallery September 12 through October 12, 2013.  210 Eleventh Avenue Suite 802 New York, NY 10001.  Tel 212-966-7469.

www.searspeyton.com

STEPHEN APPLEBY-BARR by Andy Goldsborough

Two years ago, my partner and I purchased our first painting by Stephen Appleby-Barr from Nicholas Metivier Gallery at the PULSE Art Fair in New York. We were both drawn to the old world mysterious quality of his painting but also to the play of light that it captured on the canvas. We were told by the gallery that only black and white oil paint was used and built up to get this eerie glow which seems to illuminate the “Little Lord Dulac” work 2010. As a collector of chairs, I also liked the positioning of the figure on this larger than life chair, or throne, as I like to think of it. I was hypnotized by the work of this talented rising art star that has created a new, modern and exciting form of extraordinary portraiture painting.

Little Lord Dulac, 2010

Little Lord Dulac, 2010

Neither of us had met the artist prior to acquiring the painting but we both were fascinated by the technique and amount of detail captured by Stephen’s hand. One year later, we revisited the PULSE fair and purchased our second Appleby-Barr painting entitled “The Tradition Pit” 2011. It is larger than the first work and much more complicated but still has this mysterious, haunting quality and captures the light in such detail that it has an amazing depth to the surface.

The Tradition pit, 2011

The Tradition pit, 2011

Stephen and I tried to meet last month for the Armory Show but missed seeing each other so I caught up with him by phone to discuss his work.

Squire of Squalor, 2011 (self portrait)

Squire of Squalor, 2011 (self portrait)

Where did you study? Sheridan College, Oakville, Canada. What happened first? Along with 4 friends, he formed a collective of illustrators called “Team Macho”. They have had numerous exhibitions and share a studio together. In 2007 they published a book called “Fancy Action Now”. The group was like a fraternity of sorts to “keep their heads in the game, a way to keep up with their peers”.

Team Macho’s book

Team Macho’s book

Stephen focused primarily on illustration and draftsmanship in the beginning but evolved into oil painting as a medium to capture what he wanted to express in these beautiful old images he discovered going through his grandmother’s yearbooks. His first works also evoked some sense of a fraternity, complete with a mascot named Punchy who reappears in many of the paintings.

Punchy Cloaked, 2011

Punchy Cloaked, 2011

The Pledge, 2010

The Pledge, 2010

Who were his heroes in painting? John Singer Sargent and Diego Velazquez were there in the beginning but Rembrandt and Goya became significant influences as his work evolved as well as van Dyck and Vermeer. Appleby-Barr references daguerreotypes, the first commercially successful photography technique.

Leaving the Path, 2010

Leaving the Path, 2010

Carolyn Gordon, 2010

Carolyn Gordon, 2010

His subjects seem to stare back at the viewer and the scale of the works averaging 11″ x 14″ are very intimate capturing every detail of the subjects clothing and surroundings.

The King’s Library, 2011

The King’s Library, 2011

Dulac Bust, 2011

Dulac Bust, 2011

In March-April of 2011, Stephen sold out a show of new work and is currently working on another solo show to be announced. I cannot wait to see what his magic brush will come up with next!

Stephen Appleby-Barr is represented exclusively by Nicholas Metivier Gallery in Toronto. Thank you to Rita Stuart at www.metiviergallery.com for generously allowing me to share these images on The Gilded Owl!

Punchy Cricket Bat, 2011

Punchy Cricket Bat, 2011